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Our Leading Record of 2025: Rosalía's Lux Takes the Number One Place.

On the surface, Lux might appear closer to an arduous scholarly examination than the latest popular music record by an artist who just had a last hit was a collaboration with an international K-pop icon. Broken into 4 separate sections and performed in thirteen languages, this is a head-spinning symphonic album exploring feminine mystery, spiritual transcendence, and bodily transformation, often via the prism of various saintly figures. The dissolution of a romance—a theme handled with grounded openness elsewhere—is shot heavenward on this record, supported by the constant sound of a major symphony orchestra and input from an award-winning composer within a long list of collaborators. The pure audacity alone makes the work of other artists seem quite laughable.

Rising Above Academic Exercise

The fact that this album manages to escape dry academic chin-stroking feels nearly a miracle, with full praise going to Rosalía. Although this is not her first album to blend the past and modern styles, the ambitions feel much higher on Lux, with the balancing act far more dramatic. The element that truly elevates her fourth album, beyond its multilayered tunes, rich arrangements, and inherent theatricality, proves to be an essential sense of fun. Similar to the legendary artist during her peak, you find a captivating sense to the vocalist's singing that pulls you into its whirlwind. Even when she's breaking hearts apart, the listener still desire to be right there for the ride.

A Signature Moment of Joy

That playful energy shines brightly during a stirring Italian ballad inspired by Saint Clare. It bathes in a sorrowful melancholy over several moments. Suddenly, all the music drops away, and we hear a spontaneous giggle followed by a comment before a hilariously over-the-top string crescendo thuds down like cartoonish impact. The song then shifts to the frenetic track driven by galloping strings, an imposing choir, and a cameo appearance from none other than Björk.

"The magic with this album lies in you never quite understand—or even wish to predict—what you will go to next."

Almost every song ends in a totally different point than where it started. A track explores the fleeting nature of fame with a featherlight symphony only to disintegrating into digital cacophony. Another, a cut echoing the artist's previous trap-infused work begins out moody and brooding, with prowling beats, until sudden traditional handclaps and a heavenly choir arrive to smooth the song's rough edges.

The Bridge Of Experiment and Pop

Another crucial achievement of Lux is straddling the line of radical innovation and mainstream appeal. It is little coincidence that the album has achieved her highest-charting release to break into the Top 5 of major markets: at its core a suite of truly undeniable hits. One track performed primarily in the English language builds around a chorus that feels to gather increasingly nagging melodies as it spirals upward. This feat gets repeated on another powerful track that expands and contracts, intertwining multiple melodies like a complex weave.

  • A dance-infused number charms with its jaunty, Disney-adjacent flair and an anthemic chorus.
  • In its words, it aligns with pop culture honesty of other breakup anthems, lambasting an ex- lover labeled an "emotional bully".
  • Throughout these tracks, the singing have a painted-on smile, like a storybook figure concealing a blade: "Top prize in being a motherfucker / You have the podium of disappointment."

An Opulent Feast for the Soul

This album is pop on a grand scale, a hungry reach for high Art in an era of looming AI-generated blankness. It eschews solipsism for glorious elevation, crafting an over-the-top drama that masterfully manages its inherent excess. This is a deep well of buried gems that requires time to completely explore but never feels like a chore. Where some major releases of the year seemed like feasting on meal, Lux offers a lavish banquet at which the guests around it, perhaps intoxicated on holy wine, flutter between discussions about historical figures, the profound sensation of soul-shattering sadness, and shared stories about hopeless partners. It is a contemporary theatrical production from pop's most restlessly creative practitioner.

The writer

Jared Reynolds

A seasoned journalist with over a decade of experience covering Canadian politics and social issues, based in Toronto.

Daily Line Canada

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